1. In discussing the AL evolutionary programs, or whatever, Manovitch writes, "the content of [a new media] artwork is the collaboration" between artist/programmer, computer, and viewer. This does not seem like a ground-breaking, interface-related idea; couldn't it be argued that all artistic content (especially in performance and installation) is partially based on the viewer's response and participation?

2. Why would Karl Marx ever want to overcome the work-leisure divide? Weak.